When people ask me about immersive audio, I always tell them - switching from Dolby Atmos to stereo sounds the same as switching from stereo to mono. Once you work in immersive audio, you never want to go back to stereo.

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Music in Dolby Atmos is still quite new in the music industry. We are the generation of producers and engineers that is going to establish future standards of immersive audio mixing.

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There are no rules, and there are many ways of doing it. The best results can be achieved if you stay open for experiments and stay detached from your original stereo mix. Let your engineer explore the full potential of Dolby Atmos.

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Not every song would benefit from Atmos though. Let your engineer choose a song from your catalogue that will benefit from an immersive audio mix. Songs with vocal layers, a lot of sound effects and arpeggiated instruments are the best candidates for Dolby Atmos.

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Contact me today about your next immersive audio mix.